• Artemis Driving Cycle Excel

Artemis cycles are not used for certification of pollutants or fuel consumption. However, car manufacturers use this kind of cycle to better understand real driving. ARTEMIS driving cycles. Test cycles developed within the European 5th Framework project: ARTEMIS - cars. EMPA driving cycles. Swiss test cycles developed by EMPA for the UBA. Handbook driving cycles. The German/Austrian/Swiss (DACH) Handbook of emission factors. Swiss driving cycles extracted in this summary.

Detail of Selene from a Roman sarcophagus Abode Symbol, chariot, bull Personal information Consort Children Fifty daughters to Endymion; and to Zeus Parents and Siblings and Roman equivalent In, Selene (;: Σελήνη ') is the goddess of the moon. She is the daughter of the and, and sister of the, and, goddess of the dawn. She drives her moon chariot across the heavens. Several lovers are attributed to her in various myths, including, and the mortal. In classical times, Selene was often identified with, much as her brother, Helios, was identified with. Selene and Artemis were also associated with, and all three were regarded as, but only Selene was regarded as the personification of the moon itself.

Her Roman equivalent is. Selene and Endymion, by (1713), England Selene is best known for her affair with the beautiful mortal. The late 7th-century – early 6th-century BC poet apparently mentioned Selene and Endymion. Statue of Selene, shown wearing the crescent on her forehead and holding a torch in her right hand, while her veil billows over her head Like her brother Helios, the Sun god, who drives his sun chariot across the sky each day, Selene is also said to drive a chariot across the heavens. The, provides a description: The air, unlit before, glows with the light of her golden crown, and her rays beam clear, whensoever bright Selene having bathed her lovely body in the waters of Ocean, and donned her far-gleaming raiment, and yoked her strong-necked, shining team, drives on her long-maned horses at full speed, at eventime in the mid-month: then her great orbit is full and then her beams shine brightest as she increases. So she is a sure token and a sign to mortal men. The earliest known depiction of Selene driving a chariot is inside an early 5th century BC cup attributed to the, showing Selene plunging her chariot, drawn by two winged horses, into the sea.

Though the moon chariot is often described as being silver, for it was golden. While the sun chariot has four horses, Selene's usually has two, described as 'snow-white'. In some cases the chariot was drawn by oxen or bulls. Descriptions Surviving descriptions of Selene's physical appearance and character, apart from those which would apply to the moon itself, are scant.

Three early sources mention Selene's hair. Both the Hymn to Helios and the Hymn to Selene use the word εὐπλόκαμος, variously translated as 'rich', 'bright', or 'beautiful haired', and Epimenides uses the epithet 'lovely-haired'.

The Hymn to Selene describes the goddess as very beautiful, with long wings and a golden diadem, calling her 'white-armed' and 'benevolent'. Calls Selene 'the eye of night'. The Orphic Hymns give Selene horns and a torch, describing her as 'all-seeing', 'all-wise', a lover of horses and of vigilance, and a 'foe of strife' who 'giv'st to Nature's works their destin'd end'. Iconography.

Selene riding horseback, detail from the In antiquity, artistic representations of Selene included sculptural reliefs, vase paintings, coins, and gems. In before the early 5th century BC, she is depicted only as a bust, or in profile against a lunar disk.

In later art, like other celestial divinities such as Helios, Eos, and ('night'), Selene rides across the heavens. She is usually portrayed either driving a chariot or riding sidesaddle on horseback (sometimes riding an ox, a mule or a ram). Paired with her brother Helios, Selene adorned the east pediment of the, where the two framed a scene depicting the birth of, with Helios driving his chariot rising from the ocean on the left, and Selene and her chariot descending into the sea on the right. From Pausanias, we learn that Selene and Helios also framed the birth of on the base of the.

There are indications of a similar framing by Selene and Helios of the birth of on the base of the. Selene also appears on horseback as part of the frieze of the. Selene is commonly depicted with a crescent moon, often accompanied by stars; sometimes, instead of a crescent, a lunar disc is used. Often a crescent moon rests on her brow, or the cusps of a crescent moon protrude, horn-like, from her head, or from behind her head or shoulders. Selene's head is sometimes surrounded by a, and from the Hellenistic period onwards, she is sometimes pictured with a torch.

In later second and third century AD Roman, the love of Selene for Endymion and his eternal sleep was a popular subject for artists. As frequently depicted on Roman sarcophagi, Selene, holding a billowing veil forming a crescent over her head, descends from her chariot to join her lover, who slumbers at her feet.

In post-Renaissance art, Selene is generally depicted as a beautiful woman with a pale face and long, lustrous black hair, driving a silver chariot pulled either by a of or a pair of. Cult.

T14.8 Leto & Seated Apollo Athenian Red Figure Vase Painting C5th B.C. SOURCES (ALL LETO PAGES) GREEK. Homer, The Iliad - Greek Epic C8th B.C. Homer, The Odyssey - Greek Epic C8th B.C. Adobe premiere pro video play modules on costco.

Greek Epic C8th - 7th B.C. Greek Epic C8th - 7th B.C. Greek Epic C8th - 7th B.C.

Greek Epic C8th - 7th B.C. Greek Epic C8th - 4th B.C. Greek Epic C8th B.C.

Pindar, Odes - Greek Lyric C5th B.C. Pindar, Fragments - Greek Lyric C5th B.C. Greek Lyric I Sappho, Fragments - Greek Lyric C6th B.C. Greek Lyric III Simonides, Fragments - Greek Lyric C6th - 5th B.C. Greek Lyric IV Bacchylides, Fragments - Greek Lyric C5th B.C. Greek Lyric IV Praxilla, Fragments - Greek Lyric C5th B.C. Greek Lyric IV Scholia, Fragments - Greek Lyric B.C.

Greek Elegaic Theognis, Fragments - Greek Elegaic C6th B.C. Aeschylus, Eumenides - Greek Tragedy C5th B.C. Aeschylus, Fragments - Greek Tragedy C5th B.C. Aristophanes, Thesmophoriazusae - Greek Comedy C5th - 4th B.C.

Plato, Cratylus - Greek Philosophy C4th B.C. Apollodorus, The Library - Greek Mythography C2nd A.D. Apollonius Rhodius, The Argonautica - Greek Epic C3rd B.C.

Greek Poetry C3rd B.C. Greek Mythography C1st B.C. Greek History C1st B.C. Strabo, Geography - Greek Geography C1st B.C. Greek Travelogue C2nd A.D. Greek Hymns C3rd B.C. Antoninus Liberalis, Metamorphoses - Greek Mythography C2nd A.D.

Aelian, On Animals - Greek Natural History C2nd - 3rd A.D. Aelian, Historical Miscellany - Greek Rhetoric C2nd - 3rd A.D.

Artemis Driving Cycle Excel

Athenaeus, Deipnosophistae - Greek Rhetoric C3rd A.D. Greek Epic C4th A.D. Greek Epic C5th A.D. ROMAN.

Latin Mythography C2nd A.D. Latin Mythography C2nd A.D. Ovid, Metamorphoses - Latin Epic C1st B.C. Ovid, Fasti - Latin Poetry C1st B.C. Latin Bucolic C1st B.C. Latin Tragedy C1st A.D. Latin Epic C1st A.D.

Latin Epic C1st A.D. OTHER SOURCES Other references not currently quoted here: Servius on Virgil's Aeneid 3.72, Orphica Argonautica 975.